News

Punks Update!

13 April, 2026

Brand films, broadcast spots, and large scale event coverage across Film Punks and EventPunks.tv. A quick run through what we’ve been shooting, cutting, and delivering lately. 5 min read.

Punks Update

It’s been a busy one.

At Film Punks, we’ve been pushing forward with brand and broadcast work, crafting story-driven ads, building new partnerships, and getting stuck into projects that let us do what we do best.

Alongside that, over at EventPunks.tv, we’ve been right in the thick of high energy, large scale events, capturing moments as they happen and turning them around at speed.

Different worlds, same mindset. Make it happen.

AF Oliver Crest Nicholson

We teamed up with Oliver Agency to create a new brand film for Crest Nicholson, a cinematic take on what “home” really feels like.

With a tight prep schedule, every detail was carefully locked in before the shoot. Nott Brothers were brought on to direct, leading a crew of 15 and a cast of ten including children and a scene-stealing dog, through an ambitious one-day shoot.

The focus throughout was on capturing something honest and unforced: natural, intimate moments that reflect the reality of home. Even the weather played its part, with sunshine cutting through at just the right moments.

The project is currently in post-production and is set to go live at the end of April.

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Monday.com

Alive pulled off a huge conference at ExCeL London for monday.com, bringing together 1,200 people for their SKO kickoff.

We were right in the middle of it, cameras up, capturing everything as it happened.

The brief was simple. Make a punchy wrap film that does the event justice.

So we did.

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Watch the film:

TikTok

TikTok at the Four Seasons. Big names, big energy, no slowing down.

We came in as the film crew, there to capture it all and turn it around fast.

The lineup didn’t miss. Mo Farah leading a 5K, Cat Burns performing live, archery with Team GB’s Megan Havers and Penny Healey, a pub quiz with Jordan North and William Hanson, plus Tom Kerridge on dinner and Krishnan Guru-Murthy in conversation.

No small stuff.

Our job? Shoot it, cut it, and get it live within hours.

We turned around films in near real time, playing them back across screens around the venue while the event was still happening. Content also dropped onto a private TikTok channel so guests could jump straight back in.

Alongside that, we built motion assets and kept a steady flow of short form TikToks running throughout the day.

This one was all about pace. No room to sit on footage, just shoot, cut, deliver, repeat.

Exactly how TikTok should feel.

The film below is a wrap up of the event.

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St Edmund’s

St Edmund’s wanted a Year 7 film that felt confident, warm, and a bit different.

So we broke the fourth wall and handed it over to the students.

No hiding behind a script, they led it, spoke directly to camera, and owned the film.

And they smashed it.

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What we got back was playful, sharp, and full of personality, exactly what it needed to be.

Watch the film:

Hedayah

Back with Hedayah again, this time overlooking Westminster Abbey.

The focus was AI and its role in preventing and countering violent extremism.

It’s a serious space, but an important one. Our job was to document it properly, the conversations, the people, and the intent behind it all.

In a world that can feel pretty chaotic, it’s good to be around people trying to build something better.

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Very Lazy

Our TV spot for Very Lazy brings “maximum flavour, minimum fuss” to life leaning fully into the brand’s no-nonsense attitude.

Working from Finn Comms on the concept and directed with Nott Brothers, the film strips cooking back to its essentials, celebrating convenience without compromise. The result is a bold, straight-talking TVC that reflects how people really want to cook quickly, easily, and with great flavour.

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Watch it here:

Porky Whites x Film Punks

And finally, something a bit different.

We teamed up with Paul Van Wymeersch, Head of Marketing at Porky Whites, alongside our chairman Gellan Watt on creative support, to create an AI spoof ad inspired by the iconic Dior Sauvage campaign. When Sauvage became Sausagé.

The idea had been floating around for a while, sparked by a bus stop ad and parked for the right moment. Fast forward a year, the timing clicked, and the concept came back with a vengeance.

A couple of emails later and we were in, helping push the idea further and give it that extra layer.

And we always love playing with AI.

This one was all about not taking things too seriously. A playful April Fools piece that leans into the ridiculous, has a bit of fun with AI, and does exactly what it should do, make people smile.

Sometimes the best ideas just need the right moment.

Watch it here:

We’re growing, moving, and making things happen.

More to come.

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The Top 10 Christmas Ads of 2025

15 December, 2025

Engineered tear-jerkers, cosy stop-motion, bold AI swings, and one big cultural drop. Snappy verdicts with links to watch. 3 min read.

Christmas ads have officially crash-landed into our timelines and yes, we’re already emotionally compromised. Some brands went big, some went weird, and some just lobbed a carrot wearing a scarf into the nation’s hearts again. It’s the annual creative showdown where the brief is always the same: make us cry, make us laugh… or at least make us remember the brand.

From engineered tear-jerking to full-blown festive fun, here’s our rundown of the campaigns that sleighed, surprised, and sometimes slightly baffled us this Christmas.

Cue the snow machines. Roll the orchestral cover of a nostalgic pop banger. Let’s go.

1

John Lewis — The Tear Jerker

John Lewis is back doing what they do best: engineered emotion with gorgeous craft. It’s cinematic, heartfelt, and annoyingly effective. The benchmark, again.

2

Wallace & Gromit x Barbour

Aardman’s stop motion charm meets Barbour’s heritage. It’s cosy, funny, and beautifully made. Pure British Christmas energy.

3

ALDI — Kevin the Carrot’s Big Finish

Kevin’s back and somehow the little guy still delivers. ALDI keep the formula tight: simple story, a load of heart, and just the right hit of humour. It’s warm, and charming

4

Coca-Cola — The AI Experiment

Coke doubled down on AI again this year and yes, it split the room. Slick visuals, slightly uncanny moments, and a whole lot of online noise. Our take? AI’s a tool. If it helps tell a story, great. If it doesn’t, you feel it instantly. This one sits somewhere in the middle, interesting, bold, but not quite Christmas warm. Still, everyone talked about it… which might have been the whole point.

5

M&S — Sleigh the Season

We love Dawn French national treasure, zero debate. But this spot? It doesn’t quite land. The idea’s big, loud and chaotic, but not in a way that feels charming.

6

McDonald's x The Grinch

The Grinch plotting and scheming season has struck again with new seasoning McDonald's fries ! Quick and punchy brings all the elements of the Christmas classic film with the new products.

7

The Perfect Gift | Waitrose | Christmas Ad 2025

With a Richard Curtis tone, Waitrose gives a remake of Love Actually where food lovers find their happy ending. Even though lengthy and very narrative heavy once you start you can’t turn away.

8

Lancôme Express

To celebrate the 90th anniversary Lâncome gave us a french glamorous train ride full of star power with Damien Chazelle’s direction. We fell in love with the art direction and its colours.

9

Carrefour — 𝗗𝗘𝗦 𝗣𝗨𝗟𝗟𝗦 𝗣𝗔𝗦 𝗖𝗢𝗠𝗠𝗘 𝗟𝗘𝗦 𝗔𝗨𝗧𝗥𝗘𝗦

On the other side of the channel, Carrefour gave life and personality to their Christmas jumpers. Through a simple metaphor with a seamless animation, we get enthralled in their journey.

Watch on Instagram

Open Reel

10

Knives Out 3 — Wake Up Dead Man

Not an ad — a little curveball to keep you on your toes if you’re still with us. Call it our festive top recommendation: a nail-biting whodunnit with an incredible cast and proper crowd-pleasing chaos. Watch it on Netflix from 12 December — the new mystery from Rian Johnson.

That’s your lot. The big hitters. Some melted hearts. Some melted brains. The ones that made us go “Yep. That’s Christmas.” All of them fought for that prime-time festive glory.

Some smashed it. Some bottled it. All of them reminded us why we love this season in ad-land

August Recap

28 August, 2025

August was packed. The team pushed through a heavy slate of production — wrapping several key projects while kicking off a fresh round of new ones. Catch up on what went down and what’s next for the crew.

August might mean Aperol spritz and sandy beaches for some, but not for us. We swapped flip-flops for tripods and SPF for ND filters. Our month was all about rolling cameras, creating content, and collaborating with brilliant people. Here’s how it went down:

Cooking Up Chaos with Very Lazy

We started the month hot with our new TVC for Very Lazy. Enter Vera: bold, noisy, and unapologetically full of flavour. Basically, if garlic cloves could shout, this would be their vibe.

With Finn Comms, the Nott Brothers, and the FP crew, we went from script to screen in three weeks flat. Sleepless? A bit. Worth it? Absolutely.

Sun, Skin, and CGI for Hawaiian Tropic

Who needs plane tickets when you’ve got CGI? With The Pull Agency, we’ve been busy crafting vibrant product assets for Hawaiian Tropic. Think sun, palm leaves, and ingredients that pop! (The only thing missing was the smell of coconut oil.)

Modular Magic with PF Modular

Next up: a brand new partnership with PF Modular. They build entire buildings off-site and piece them together like Lego. For LeAF Studio School in Bournemouth, they created a gym, classrooms, and a sixth form hub, all assembled in just a week.

We captured it all. It’s the kind of project that makes you think: yep, construction really can change communities.

70 Years of Diverse Abilities

Diverse Abilities turned 70 this year, and we had the privilege of making two films for their Gala Ball:

• Simon’s Story: 50+ years with the charity, from school days at Langside to supported living today. It’s heartwarming, it’s human, and it made us cry on the edit suite.
• Fund a Nurses’ Film: a spotlight on the care teams who make a life-changing difference every single day. Heroes… no capes required.

Double Trouble with AF Oliver

Two projects. Back-to-back.

Bloor Homes: four days, three cities, countless camera batteries. We got it done, and it looks fresh.

Fairview New Homes: lifestyle vibes in Ealing. Two actors, one city, and a love story that ends in a dream home.

“I'm just looking at all the footage as we speak. All perfect and nicely considered. We are so happy to partner with you with production. We are like-minded and care about what we do. And all accomplished with an air of fun and positivity. Thanks, team, the client will love this.”

May Recap

02 June, 2025

As May comes to a close, Film Punks continues to expand its presence across the content creation landscape — from live event coverage and CGI to animation and photography. It was a month full of emerging projects and growing partnerships, reflecting Film Punks’ capacity to tackle challenging and exciting projects. 

Rapid Fire Collaborations

We partnered with our friends at Alive to deliver a fast-paced highlights video showcasing a well-known drinks brand’s engagement in several international events. The film was a punchy, fast-paced motion graphics animation cut together to portray fun and friendly moments.

We also collaborated with the mighty White Bare, Milk & More and One Living. We covered the Mental Health Week activation featuring the one and only Jonny Wilkinson. The in-person event included team games, during which Jonny Wilkinson revealed his “7 Magic Morning Routines.” These practical and effortless tips were posted daily throughout the week in a quick reel format to raise awareness and promote their implementation into daily routines for a more fulfilling work-life balance with better stress management.

Punks’ International Reach 

During the same week, we covered the Deckers’ Managers conference, which brought together UGG and Hoka managers from across Europe at their London offices. We captured spontaneous and genuine moments as the European management teams forged ties by sharing their knowledge and experiences, conveying the authentic spirit behind Deckers’ successful brands.

On the international stage, we resumed our partnership with Hedayah, developing content to support their vital mission in Preventing Countering Violent Extremism. Being part of Hedayah’s efforts brings a sense of optimism in a world that often faces significant challenges on the path to a more peaceful future. 

With its skilled and collaborative approach, we brought to life compelling films that highlight Hedayah’s research on Artificial Intelligence, exploring both the risks and opportunities it presents for P/CVE. 

These films also showcase Hedayah’s dedication to education and its global knowledge-sharing workshops with other international institutions like the Workshop with the Office of the National Security Adviser (ONSA) of Nigeria, which reviewed Nigeria’s Policy Framework and National Action Plan for preventing and countering violent extremism.

In other news, Ed, our Head of Production, welcomed his beautiful daughter Marley into the world this month. Both mum and baby are doing great, and Ed is settling into life as a new father, sleepless nights and all. It’s a joyful milestone for him and the whole Film Punks family. Huge congratulations to Ed, Marley, and the gang, although we hear Chilli is still deciding what he thinks, dishing out his signature side eye from a safe distance.

As Ed settles into fatherhood, the rest of the team is gearing up for an exciting June, focused on growing our partnerships and continuing to build meaningful work together.

If you’ve got a project in mind, big or small, we’d love to hear from you.

🎬 Here’s our latest showreel: https://filmpunks.tv/showreel

Film Club: Issue 6

15 April, 2025

Film Club: Issue 6 – Latest Film Picks | April 2025

Welcome back to Film Punks Film Club – our monthly round-up of what’s new, what’s niche, and what’s just damn cool in the world of film and animation. This issue has modern myths, cosmic jazz, gritty indies, and a big hit of 90s nostalgia.

🎞️ MUST WATCH

“The Return” – Modern Mythmaking
Ralph Fiennes and Juliette Binoche in a moody, modern take on The Odyssey. Understated, epic, and beautifully bleak.

 

📺 Watch the trailer:

🎧 SOUND & VISION

Lazarus – Soundtrack of the Year?
From the mind of Cowboy Bebop’s Shinichirō Watanabe, this anime series features a jazz-electro dream team: Kamasi Washington, Bonobo, and Floating Points.

🎧 Listen here:

🧠 DEEP CUT

The Sweet East – Cult Classic Incoming
A surreal, satirical road trip through modern America. Think Harmony Korine with better hair and a DOP who’s had enough.

🎥 Watch the trailer:

 

📺 ONE FROM US

Horizon RMS – Hero Brand Film

We worked with Horizon RMS to create an eye-catching and industry-disruptive hero film destined for their new site. The brief was to distill their USPs into a punchy, engaging 90-second film to greet users on their new landing page. We wrote, filmed, and edited the piece > turning it around in under two weeks. CEO Andrew Moss’ response?

Simply: “Absolutely amazing…..”

A head-turning film to match the impact of their standout in-store activations.

📼 Check it out:

🎨 ANIMATION LOVE

Iyanu: Child of Wonder – African Mythology Meets Superpowers
Gorgeous animation. Epic folklore. Iyanu blends superhero storytelling with West African legends – and it looks stunning.

🖌️ Watch the trailer:

🔭 ONE TO WATCH

The Peasants – Painted Frame by Frame
From the Loving Vincent team, this one’s a hand-painted Polish period drama. Yes, painted. And yes, it’s as good as it sounds.

🎨 Watch the trailer:

🍿 LONG LIVE CINEMA

April’s Best New UK Releases:

Minecraft: The Movie – Creepers. Chaos. Momoa.

Last Swim – Coming-of-age indie with heavy vibes.

Mr Burton – Not that Burton. A heartfelt teacher biopic.

Four Mothers – Grit, grief, and generational drama.

That’s it for April. Seen something we missed? Send it over. We’re always up for discovering the next brilliant or bizarre thing.

Becoming a Punk: My First Month

09 April, 2025

A Spring blossom

During the Ides of March, amid seasonal fevers, I joined the Film Punks production team as an Account Manager. Film Punks kindly set an adjustment period, and once they saw my eagerness to roll up my sleeves, they matched my enthusiasm and welcomed me into their ongoing projects. Immediately, I felt like part of the team.

Parachuted into Action

The beauty of filmmaking is the diversity and fast-paced environment that surrounds its process. In my second week, lo and behold, I was part of my first project, on-site in Cambridge with Horizon RMS. This experience showed how I could learn and adapt as a filmmaker on a less hierarchical film set while helping creatively manage the project to fruition and bringing my experience into it.

Moreover, I had the opportunity to aid in the production of a variety of projects across distinct mediums, including photoshoots with the outstanding Edgeborough School, hybrid projects – photoshoots and video – with Modulek and their exciting eco-friendly buildings at Halliford School and Black Park. Overseeing these projects and connecting with the clients has been as joyful as being on film sets and has brought a warm spring sunlight to London. 

Looking Ahead

This first month with Film Punks has reiterated the importance of open communication and a willingness to hear different voices in the room in collaborative environments. Meanwhile, I deeply treasure the flexibility of working with a team of like-minded individuals who allow you to express your individuality and support your creative endeavours. I’m excited to grow and learn as a filmmaker at Film Punks.

How Small Tweaks Make Big Impacts

When we’re on set, everything feels raw. Ideas are captured in real time, the footage is shot, and the atmosphere is buzzing with potential. But when it’s time to return to the edit suite, something magical happens. This is where the content comes alive, and the real transformation begins.

The Foundation

Before the camera even rolls, there’s a lot that goes into making sure the shoot will be everything we imagine. Storyboarding is one of the first steps, and it’s like drawing the roadmap of the film. It’s about figuring out the shots, angles, and movements so that every scene has purpose,clarity and delivers on the message. Whether it’s sketching a quick rough idea or a full on frame by frame storyboard, this stage ensures that we know exactly how to capture the vision.

Pre-vis takes things a step further, where we film the boards to map out complex shots, camera angles, and even animations. It’s a way to experiment and test how everything will flow before we even step foot on set, making sure there are no surprises when it’s time to shoot. Pre-vis helps streamline the shoot, saving time and avoiding unnecessary reshoots.

Where the Magic Happens

Our love of editing is mirrored in the final products we craft for our clients. For example, our VMO2 campaign, which aimed to educate parents on navigating difficult conversations around online threats, came to life in the edit suite where music, voiceovers, and graphics pulled everything into focus. Watch the VMO2 project here.

Similarly, our work with Severn Trent Water focused on creating dynamic content that communicated key messaging while also engaging viewers with smart animations and tight editing. The challenge here was to make water related topics, often seen as dry and technical, into engaging, impactful storytelling that resonated with audiences. Check out the STW campaign here.

With LV, we helped bring their rich history to life through a series of internal films and animations. These pieces celebrated their long and successful journey, and through editing, we were able to highlight the key milestones with precision and emotional depth. See the LV work here.

Setting the Tone
The right music can shift the entire vibe of a piece. It’s more than just background noise. Music sets the rhythm, enhances emotions, and cues the viewer in on how to feel. Whether it’s a slow, brooding track to create tension or a fast-paced beat to keep things energetic, the right score elevates everything.

A New Lens
Color grading is where we get to play with the mood of the footage. It’s about choosing the right palette to enhance the story. A subtle adjustment can make a sunset look even warmer or give a scene a dreamy, cinematic quality. The grade isn’t just about aesthetics; it’s about aligning the visuals with the narrative tone and ensuring the final look speaks volumes.

Breathing Life Into the Story
A great voiceover doesn’t just narrate it becomes the soul of the story. It has the power to change the perception of a scene with just a few words. Whether it’s the way a character’s line is delivered or the tone of a narrator’s voice, this is where clarity, emotion, and engagement are truly crafted.

The Small Tweaks
Sometimes, it’s the little things that make all the difference. A subtle sound effect, a few frames shifted, or a slight volume adjustment can be the finishing touch that ties everything together. These tweaks might seem small, but they’re the pieces that make the puzzle whole.

At the end of the day, editing isn’t just a technical process  it’s a creative one. It’s where all the elements come together to tell a story in the best possible way. Our love of editing comes from knowing that every decision, no matter how small, plays a part in transforming something good into something unforgettable.

Why ‘The White Lotus’ Theme Hits Different.

01 July, 2023

The theme music of Season Two of the HBO series “The White Lotus”, titled “Renaissance” and composed by Chilean-American composer Cristobal Tapia de Veer, has captured the essence of modern times. The piece has become a social media sensation, a hit in the EDM genre and most recently, was covered by the funk jam band Pigeons Playing Ping Pong. Guitarist Greg Ormont, a fan of the show, performed a electrifying version of the song during a two-night performance at XL Live in Harrisburg, Pennsylvania.

The unique sound of “Renaissance”, characterized by its high-pitched yodel-like vocal part and the absence of lyrics, adds to the tension and drama of the operatic setting of the show in Sicily. Greg Ormont spoke to Variety about why he thinks the song has struck a chord with audiences. He explained that the unusual vocal part, chopped up to have a Native American-like sound, is what makes the melody so intriguing and different from the norm, which is why it captures people’s attention.

When asked about the crowd’s reaction to their cover, Ormont stated that he immediately recognized the “The White Lotus” fans in the audience as they would be the ones most excited about the song. He also mentioned that playing the song was a great litmus test for the subscriptions of HBO.

Ormont, who is a huge fan of the show, finds it hard to explain why he loves “The White Lotus” so much. He attributes his fondness for the show to its unique storytelling, rich characters, and their complex relationships. He also acknowledged that the finale of Season Two left many unanswered questions that left audiences satisfied and unsatisfied at the same time.

The song made its way into the band’s setlist after Ormont played it for the band, and it quickly became an earworm for guitarist Jeremy Schon. Schon went home and started watching the show, and then brought out a guitar pedal that he rarely uses to mimic the choppy melody. The song was an instant hit with the band, and they felt compelled to play it immediately after the finale of the show had aired. Ormont also mentioned that they wanted to play a song that people knew, but hadn’t been overplayed, and “Renaissance” fit that bill.

When asked if they were looking to reach more fans with the cover, Ormont admitted that it was in the back of their minds, but the main motivation was playing a song they loved and wanted to hear. He explained that they wanted to find a happy medium between playing familiar songs and those that haven’t been overplayed.

Finally, Ormont mentioned that he derived some creative inspiration from the show’s characters, as he saw similarities between their situations and those faced by people regardless of their financial status.

5 Factors to Consider

10 February, 2023

As a business owner, you know the importance of having a high-quality film that accurately represents your brand. But with so many film production companies to choose from, how do you determine which one is the best fit for your needs?

Here are five key factors to consider:

Experience: Choose a company that has experience in the type of content you want to produce. At Film Punks, we have an extensive understanding of how to deliver a high-end TV Advert but we also cater for smaller budgets and create content such as sizzle reels, talking head promotional videos and both 2D and 3D animation – we are always working with top creative agencies and household brands who demand consistent high standards.

Portfolio: A company’s portfolio will give you a glimpse into their style, quality of work, and if they align with your standards. Take a look our portfolio and if you don’t see what you need then let us know as we have hundreds if not thousands of videos we have produced in our 10 years in business.

Budget: Make sure to determine your budget for the project and choose a company that can work within those constraints. We offer budget-friendly options without sacrificing quality. Our motto is ‘Make it happen’ – in our industry this attitude is essential and we apply it to every stage of the process.

Communication: Good communication is key for any successful project. We take the time to understand your goals and prefer to pick up the phone and talk it through to speed up the process.

Reputation: Read reviews and testimonials from previous clients. We have an abundance of happy customers with amazing reviews across google and Linkedin and have built a business known for delivering quality work and meeting tight deadlines.

Leigh Hill
Marketing Operations Manager at A-Team Group

“The team at Film Punks have always produced extremely professional promotional videos for us. They are always proactive and efficient and willing to go the extra mile. It was a pleasure working with them.”

Katie Bodman 
Head of marketing Superior

“Working with Film Punks was a thoroughly enjoyable experience. Whilst filming on site they made everyone feel extremely comfortable and ensured they explained what they were doing at all times. They worked quickly, efficiently and grasped exactly what we were looking for within a short period of time. There levels of communication were outstanding, which made the process seamless. The whole team were professional, friendly and easy to work with and the end result for both projects exceeded our expectations in every aspect. I couldn’t recommended Film Punks more; brilliant filmmakers and genuinely nice people to work with.”

Lizanne Joslin
Digital Advertising Specialist at UL

“Film Punks has always delivered outstanding work for us, pro-active and professional.”

 

By considering these five factors, you can choose a film production company that fits your specific needs and produces a film that accurately reflects your brand. Don’t settle for mediocrity, choose Film Punks as your first choice for a standout film that exceeds your expectations.